May
1
2010

Photography by Gary Trautman
I approach body sculpting with the spirit of an artist and the mind of scientist. My spirit is creatively inspired by symmetry, balance, and proportion, and my mind understands how to calculate the angles in a movement and produce set combinations to formulate a precise routine designed to carve geometry into my musculature. Body sculpting is for me a disciplined dance of heart and soul in harmony – the work is never completed, but it can and should be appreciated everyday.
no comments | tags: Body, Body Muscle, Body Sculpting, Body Sculptor, Chisled, Lean Muscle | posted in Photography, Physical Fitness
Aug
25
2009

The discipline of body sculpting for me is a creative endeavor. Like writing music or philosophy, in body sculpting, I find that the majority of creation-process derives from intuition and practice – daily practice (lots of it!). The true artist, at the end of the day, can only hope to reveal something of God and/or nature in a uniquely individualized form through a particular medium - and if the artist is to ever have merit, he/she must perpetually and rigorously refine his/her skill of creating in whatever medium to which he/she is inclined. In the creative discipline of body sculpting, the nature of the God-given body is the medium with which the artist works. God’s beautiful nature can be revealed in the symmetry , balance, and proportion of the aesthetic human body. As in all human creation, God is the architect and we are builders – our work will be reflected in a pre-existing design or capacity. The body sculptor would never tamper with the architect’s blueprints (no steroids or growth hormones), not because of an ethical objection (although there may be one), but because the beauty of the creation will be synthetically diminished/degraded (and there is, at minimum, a subconscious recognition of this in the mind’s eye of the beholder). Every dynamic of body sculpting should be approached from the creative perspective of any artist - there are basics to which the artist must adhere, but the nuances of the process should be entirely from the soul of the artist himself/herself.
no comments | tags: Body Building, Body Sculpting, Matthew Mossotti, muscle building, muscle development, sculpting | posted in Philosophy, Photography, Physical Fitness
Aug
25
2009

Photography by Gary Trautman
Someone recently contacted me and asked for help getting jump started into a fitness lifestyle. Here’s what I wrote them.
Alright, you’re trying to get a jump start… Here’s what I would suggest:
1) Decide that your fitness is a non-negotiable priority of your time here on earth. Like bathing, or making a living, automatically account for the time your daily regimen requires (6 days a week –lifting for no more than 45 min and doing cardio for no longer than 30 min) – consider it sacred time, devoted to the choice you’ve made to attend to your physiological machine – and know that the better you take care of your body, the better it will take care of the “you” inside of it.
2) Maximize your effort during the time you carve aside to develop your body. It helps sustain the long-term viability of the decision to devote your energy to fitness in a tremendous way if your training routines can average one hour(ish) per day (resistance training and cardiovascular combined). However, if you intend to maximize results (and why wouldn’t you? – it’s time you’ve set aside), embrace every minute of cardio as an opportunity to take your body to its peak performance and every repetition of every set as an opportunity to make your machine fail. In the gym, getting to failure means you have succeeded. Your body doesn’t dig on failing. It builds itself in direct response to failure, so it won’t fail the next time at the same level of challenge.
3) Get clever with your approach to creating your training routines. Learn how your body responds in specific ways to specific styles of movements and use your understanding to perpetually outwit your body, which you keep in a constant state of catch-up to the challenges you design for it. At the end of the day, most of the fulfillment of fitness is the recognition of the manifestations of your deliberate and specific objectives (performance and aesthetic). It will get really boring really quickly if you fall into a rut of the same routine week in and week out.
4) Eat with an objective mind. You have to eat. But you don’t have to eat by the standards set before you by your culture. Rather, you embrace the science of nutrition and consider your body your guinea pig. Forget the dietery habits that your culture has installed into you. Relearn how to eat. You never decided to eat three meals a day – you were told that’s what humans do. Eat five to seven times a day. Prepare yourself to embrace every morsel of food as something that either edifies or corrupts your objectives for your physiological machine.
5) Enjoy yourself. Rejoice in your suffering!!! From having great ipod mixes, to getting into good training partnerships (usually temporary, so that you never allow anyone else’s accountability or life-situation to influence yours), to asking specific questions to others training around you (and just getting to know them) – all these things enhance the quality of your spirit for the time you are present at your gym. Know that on the other side of every workout lies a natural euphoria – the endorphin rush, your body’s thank you card for the challenge you provided.
All of my best always,
Matthew Mossotti
no comments | tags: Back, Body Building, Body Sculpting, Matthew Mossotti, Triceps | posted in Photography, Physical Fitness
Aug
25
2009

photography by Gary Trautman
Working the heavy bag will do wonders for your core development. It’s always important to remember that your core (abdominals, obliques, seratus, inner-costals, and erector spineaous) are the connector muscles of your upper and lower body. Any movement that rigorously engages both halves of your body, that forces your legs and torso to balance each other, is going to beget the cultivation of the “in-between.”
no comments | tags: Body Sculpting, Matthew Mossotti | posted in Photography, Physical Fitness
Aug
25
2009

Photography by Gary Trautman
I find it super-crucial to find ways to engage different muscle groups when doing cardio. Hitting the heavy-bag is a unique way to burn rapid calories and simultaneously develop muscle definition. Boxing will inspire your body to develop an overall harmony among every muscle group while particularly shredding your upper and lower back.
no comments | tags: Body Sculpting, Matthew Mossotti | posted in Photography, Physical Fitness
Aug
19
2009

Gary Trautman is a St. Louis-based photographer and a friend of mine. This photograph one example of his work. If you’re into your fitness and are looking for some high-quality photography to capture the visual fruits of your hard labor in the gym, Gary is definitely a go-to guy. You can contact Gary at GdTrau@yahoo.com.
no comments | tags: Body Sculpting, Matthew Mossotti | posted in Photography, Physical Fitness
Jun
4
2009

Body Sculpting is all about symmetry, balance, and, above all else, NATURAL proportions of muscle to inherent skeletal frame. No steroids. No growth hormones. The body sculptor is distinct from the body builder in virtually every aspect of his physiological philosophy. The body sculptor does not seek size for the sake of size. He only seeks beauty in the symmetrical balance of proportioned size. The body sculptor does not seek to compete. He seeks his own development. The body sculptor does not train for events by getting huge to only cut out for a few weeks out of the year like the body builder does. He trains to walk around in the sculpture he works to refine everyday. The body sculptor’s physique never arrives at a final destination – it is always a work in progress. Body sculpting is an art and a discipline that embraces the unique potential elegance of the individual body given by God to every unique individual.
no comments | tags: Body Building, Body Sculpting, Matthew Mossotti | posted in Photography, Physical Fitness